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Ella's Big Chance: A Jazz-Age Cinderella (Kate Greenaway Medal), by Shirley Hughes
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The classic story of Cinderella gains even more charm in this glamorous retelling by world-famous picture book writer and illustrator Shirley Hughes.
Ella Cinders loves helping her father in his dress shop and laughing with her friend Buttons, the store's delivery boy. Then comes the terrible day when her father remarries and everything changes. Her stepmother makes her sew in the dreary basement. Her stepsisters mock her shabby dress. And to top it off, the new Mrs. Cinders forbids Ella to attend the duke's grand ball. Heartbroken, Ella is sure that her life will never be what she dreamed. But with the help of a fairy godmother and some sparkling courage of her own, this Cinderella discovers that dreams can come true in the most unexpected of ways.
Join Ella amidst the dazzle and fashion of the roaring twenties as she takes happily ever after into her own hands!
- Sales Rank: #623600 in Books
- Brand: Brand: Simon n Schuster Books for Young Readers
- Published on: 2004-10-01
- Released on: 2004-10-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x .39" w x 9.25" l, 1.06 pounds
- Binding: Hardcover
- 48 pages
Features
- Used Book in Good Condition
From School Library Journal
Starred Review. Grade 1-4–Is there room for one more "Cinderella" variant in your collection? The answer is yes if it's this charming version set in the 1920s. Ella Cinders, her father, and Buttons the doorman/delivery boy run a dress shop until the terrible day when Mr. Cinders remarries and his nasty new wife moves in with her equally nasty daughters, Ruby and Pearl. "His new wife seemed to pop up from nowhere like a sharp-eyed, expensively dressed jack-in-the box." Ella's life is misery from then on, mitigated only by the care and attention of the faithful Buttons. Her Fairy Godmother sends her off to the ball where the Duke of Arc is smitten with her, but in the end Ella chooses a different happily ever after, with Buttons. Hughes's gouache-and-pen-line illustrations exhibit her usual meticulous attention to detail, with the ball scenes inspired by Fred Astaire/Ginger Rogers movies, and the original dress designs by important French couturiers of the period. This insightful retelling also offers a fascinating visual peek at a glamorous time.–Grace Oliff, Ann Blanche Smith School, Hillsdale, NJ
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
K-Gr. 3. It's the 1920s, and Ella Cinders works with her father in his dress shop, along with their young doorman, Buttons. After Mr. Cinders remarries, his new wife puts him under her thumb. Ella is soon exhausted from working at her sewing machine, while her stepsisters are modeling the gowns Ella has designed. The story follows a traditional course until the very end. When the suave socialite duke puts the slipper on Ella's foot, she dismisses him and turns to Buttons, who has been her solace through her ordeal. Together they will go off and start a shop of their own, a more preferable life than being "dressed like an expensive doll." A stylish enough work, this is a bit of an indulgence for Hughes, and the high-fashion setting and the flapper costumes don't add much to the tale for a young audience. The new ending will get their attention, however, and this self-empowered Cinderella makes for an interesting change of pace. Ilene Cooper
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
23 of 23 people found the following review helpful.
A Book Right Out of the Golden Age of Movies-Sensational!
By M. Allen Greenbaum
Knowing that this Cinderella-themed book won the "Kate Greenaway Medal for Children's Illustration," I decided to look at the illustration before reading the text. I was looking for authenticity and creativity in the pictures, as well as a hint of the story to come. I'm also a fan of jazz, and although the music isn't synonymous with the "age," I was curious to see whether author/illustrator Shirley Hughes incorporated any musical elements.
It didn't take long to discover the sweep and style of the 1920's, for Hughes' 2-page opening title shows a glossy ballroom floor, inhabited by a small jazz band, self-assured men in tuxedoes and tails, fashionable women in full length gowns (plunging either in front or back), and a white-coated "manservant" offering martinis. (Zelda, we have arrived!) As the story begins, pictures show the middle and under classes, and the scornful looks of the social "betters." The latter are dressed in chiffon, feathers, fancy hats, and jewelry, and a man sports a pinstripe suit with a rose boutonni�re and impeccable black and white spats. You can sense the texture of their clothes, just as you can feel the conflicting attitudes of the haves and have-nots. I cheated and looked at the endpaper: The rich colors come from gouache, accented and shaded with pen. In addition (and, as noted by another reviewer), Hughes' original dress designs were inspired by 1920's French couture; her ballroom scenes by the d�cor and set designs of the glorious RKO-produced Astaire/Rogers musicals. The book's remaining pictures convey emotion (especially in cinematic-like close-ups), dramatic lighting, subtle and grand action, and swirls of gorgeous, opulent color. Hughes captures the look of money and the face of disenfranchisement with equal magnificence.
OK, so I'm completely sold on the pictures. What about the story? As you may have gathered, the Cinderella here is "Ella Cinder," a comely woman who's an expert helper in her father's dress shop. When she can, she laughs with almost- boyfriend "Buttons." As for the scornful women mentioned above, they're her dad's new wife (Cinder's stepmother) and her daughters (the stepsisters!). The stepmother takes over running the shop, the stepsisters model, lounge about, and call Cinder names, and Cinder herself has to work harder than ever. Mr. Cinders is a broken man in this power play, and he can do nothing to help his daughter.
Buttons, however, scrappy American that he is, "stays on the job for [Cinder's] sake." "Privately he called the [stepsisters] a couple of puffed-up, made-up, stuck-up, brainless parakeets." He also plays his guitar" in Ella's ratty basement room, and sometimes, "they even danced together...moving softly in and out among the bales of cotton." This is pure literary magic, Hughes' words and pictures mesh like a slow dance; they're consistently evocative and note-perfect.
I'll now cut to the chase of this modernized (to a point) fairy tale: An elite ball is planned, and the stepsisters scoff at the neglected Cinder. Very soon, however, an efficient yellow-hatted woman with a purple umbrella (her wand, it turns out) does her magic, and Ella turns into the Queen of the Jazz Age, the Belle of the Ball, and the Delight of the Duke who dances with her. Hughes wisely keeps the stroke of twelve and missing slipper motifs, but like any good 1920's film, Ella turns down the rich duke for her true love, Buttons, who can promise only his winning and constant love, a dream of owning their own shop, and his famous bacon and eggs. This book from 2003 is a complete delight, excelling in every conceivable way, and it's hard to imagine any child (or adult) not enjoying and treasuring it immensely.
Note: The book is so cinematic in illustration, plot, and dialogue, that I'm already having fun casting a hypothetical "movie": Perhaps director Frank Capra (or George Cukor) would insist on a dulled-down Carole Lombard as "Cinder"; Stewart , Cagney, or a relatively new, "nice guy" actor as "Buttons," and S.Z. "Cuddles" Sakall or Lionel Barrymore as the beleaguered father. Joan Crawford and Rosalind Russell would reprise their cat-fighting roles from "The Women," with Katherine Hepburn (cast against type) or Bette Davis as the (wicked) stepmother, and Franchot Tone or Leslie Howard as romantically tragic Duke. Indulge yourself as I did, and buy this book for a child, and, especially, for yourself.
7 of 7 people found the following review helpful.
Entertaining & Clever Re-write of Cinderella
By Kotori
There are a lot of things to like about this book.
It is set in the 1920's and Ella is a garment maker, in her fathers elegant little dress shop. When her father remarries she gets a horrible new step-mom and two step sisters, suitably nasty.
"His new wife seemed
to pop up from nowhere like
a sharp-eyed, expensively
dressed jack-in-the-box"
Ella has a dear friend named Buttons, who makes life easier for her by keeping her company as she stays up late sewing, making her laugh and singing her songs.
The funny thing about Buttons to me is he looks like he MUST be an Aussie, and uses words like "brainless parakeets" which seems to prove the authors intention. He looks like a young mel gibson, fresh from the set of Gallipoli, and it's quite amusing. One of the wonderful things the author has done is make this book so quirky.
Ella doesn't have a perfect sylph-like figure merely hidden by soot, instead she's redheaded, with corky curls and a plump little body, which when tucked into a more suitable gown, looks just fine.
It's her personality which wins the Duke over and brings him around begging for her hand. And dear Ella takes a good look around her and realises that it's Buttons she really want's, and they take off, and set up their own dress shop.
The illustrations are fantastic, and as written in the back of the book, the ball scenes were inspired by the dance sequences in the R.K.O. Fred Astaire/Ginger Rogers movies.
The dresses are Shirley Hughes original designs, inspired by the French couturiers of the 1920's, Doucet, Poiret and Patou.
Just love it.
Ages 8+ would most appreciate this book, although certainly any age will happily sit through it.
For you it makes an entertaing bedtime story.
For them, the same, and a little twist to the regular fairytale.
Kotori Nov 2004
4 of 4 people found the following review helpful.
"You Never Did Try My Bacon and Eggs, did you?"
By R. M. Fisher
There are several authors and illustrators of children's picture books that should be essential reading experiences for every child, created by artists that meld whimsy, humour, poignancy, wisdom and humanity with such grace that you just know that the memory of that book will stay with them for the rest of their lives. Shirley Hughes is one of these authors/illustrators, best known for her `Alfie and Annie Rose' books, but also of several other stories that capture all the above traits. "Ella's Big Chance" is one such book, taking the traditional tale of Cinderella and changing it in several vivid, exciting ways. It is old and refreshingly new at the same time.
Mr Cinders and his daughter Ella run a dress shop, along with their delivery boy Buttons (who almost always appears as the narrator in any production of a pantomime Cinderella). They are a happy family, but all that changes when Mr Cinders marries Madame Renee, who has two daughters of her own: Ruby and Pearl. Ella's new stepfamily takes over her existence, reducing her to a servant in her own home. Her only ally is Buttons with whom she has a warm and kind friendship.
Then the news arrives that the handsome Duke of Arc is having a ball. You all know what happens next: Ella is denied an invitation, a fairy godmother transforms her rags, and Ella makes her magnificent debut. The clock strikes twelve, Ella flees and the Duke begins his search for her, using the glass slipper she left behind as his guide.
One might at this stage think that this is simply another rehash of the Cinderella tale; if you've read one, you've read them all. But Shirley Hughes' version differs in several key ways. First is the setting; Parisian France in the 1920's, where the streets are quaint and sunlit, a silver limousine takes the place of the pumpkin carriage, the dancing mirrors that of Ginger Rodgers and Fred Astaire, and the costumes are the quintessential gowns of Doucet, Poiret and Patou. It is a visual feast for the eyes, romantic and glamorous.
Second is Ella's physique. Whereas her stepsisters are slender and lovely (not *ugly* stepsisters at all), Ella herself is a little on the voluptuous side - and she looks fantastic. It's a great step up from the stick-figures that frequent children's fairytales, especially those targeted toward girls.
Lastly are several story elements; such as the fact that Ella's father does not pass away but remains a hen-pecked husband who is powerless to rescue his daughter. Then there is Hughes' delightful interpretation of the fairy godmother, as an umbrella-wielding granny with a secret plan for Ella. Most important of all is the twist regarding Buttons - I won't give it away (though you've probably already guessed what it is now that I've mentioned it). I'll say no more except that it's great.
So that's Shirley Hughes's Cinderella retelling, a fantastic reading experience that everyone (especially your daughters) will love, with several subtle but truthful messages on *real* beauty, *real* kindness and *real* happiness.
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