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In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.
With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.
- Sales Rank: #584830 in Books
- Published on: 1993-11-17
- Released on: 1993-09-09
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .49" w x 6.14" l, .78 pounds
- Binding: Paperback
- 216 pages
Review
"By reinstating the repressed mother and "femme castratice in classic Freudian theory, and by extending Julia Kristeva's discussion of horror and abjection to fresh critical objects, Barbara Creed accessibly and convincingly demonstrates the relevance and productivity of psychoanalytic theory for cultural analysis."
-Annette Kuhn, University of Glasgow
"A substantial contribution to knowledge of the horror film . . . the first study to concentrate specifically on the monstrous-feminine."
-E. Ann Kaplan
"Witty, succinct, a pleasure to read. The critique of Freudian theory comprises a total re-conceptualization of the status of the feminine within psychoanalytic debate."
-Sneja Gunew
About the Author
Barbara Creed is an associate professor of cinema studies in the school of fine arts at the University of Melbourne. A well-known film critic and media commentator, she has been the Age film reviewer for three years and an ABC film critic for the past decade. She is the author of The Monstrous-Feminine and the coeditor of both Body Trade and Don't Shoot Darling! Her work has been widely published in international journals such as Camera Obscura, New Formations, and Screen.
Most helpful customer reviews
5 of 6 people found the following review helpful.
An intriguing look at horror film
By A Customer
Those who dislike psychoanalytic interpretations beware! This book is full of them (even one about Little Red Riding Hood!) I don't necessarily agree with them, but I do find them exceptionally fascinating. The readings of Psycho and Carrie are particularly enlightening, as well as that of Jaws (very heavy on the Freudian castration anxiety angle... but now when I watch the film I can't abide by any other interpretation).
2 of 2 people found the following review helpful.
Essential Reading
By Amanda
Anyone interested in horror films and/or feminist theory MUST read this book. It is surprisingly accessible and enjoyable to read. Lower level undergrads without a cursory knowledge of feminist critiques of psychoanalysis might benefit from buying Elizabeth Wright'a Feminism and Psychoanalysis: A Critical Dictionary.
1 of 1 people found the following review helpful.
Very interesting perspectives on popular culture
By Margaret A Smith
The arguments are underpinned with sound feminist theory and semiotics..very interesting to see a different perspective on well known films; it encourages more in depth critical readings of popular texts, and certainly stimulates discussion. I found the discussions of both Alien and Psycho especially, of interest.
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